You can only register for the qualification if you agree to the terms of this Agreement.ġ.2. If you do not agree, or do not have authority to enter into this Agreement, you may not register for the qualification.Ģ.1. The following words and phrases have these meanings in this agreement:Ģ.2. “Agreement” means this document and the terms of the relevant qualification for which you register, which are all deemed to form part of the Agreement.Ģ.3. “Registration Form” means the application to which these terms and conditions are attached.Ģ.4.
“CPA” means the Consumer Protection Act No. “Qualification” means qualification accepted by the applicant in the application.Ģ.6. “Qualification Content” means written content, photographs, images, vectors, films, videos, animations or other audio / visual media offered in respect of the qualification in any way and using any medium, and includes portions and adaptations thereof.Ģ.7. “Qualification Fee schedule” means the listed amount payable by you for your participation in the qualification.Ģ.8. #WATCH JUDICIAL CONSENT 1994 ONLINE SOFTWARE#.#WATCH JUDICIAL CONSENT 1994 ONLINE REGISTRATION#.Movies that know how to mix the dangerous and the erotic often make edgy, highly diverting thrillers, but “Judicial Consent” is too obvious and too conscious of its form. As Martin, gifted character actor Coleman is wasted in an unrewarding role, while Wirth is there mostly to look good as the stranger with a “mysterious” motive. Will Patton, usually brilliant in small, offbeat roles, is miscast here in the underwritten role of Gwen’s bland husband we never get a sense of the kind of marriage the Warwicks have. For instance, lawyers, particularly women, might find offensive a sex scene in Gwen’s office in which she’s shown reaching orgasm while negotiating an important assignment on the telephone. Dark lofts, swinging doors, empty parking lots and so on are all nicely handled, but they’re also familiar to an audience that always seems to be ahead of the pic’s characters.īedelia gives a charming, dominating performance, but the woman she plays is too intelligent and too bright to behave in such a senseless manner. Though a first-time helmer, Bindley gives his picture a smooth and polished look, displaying some mastery over the genre’s tricks - and visual cliches. The courtroom format relies heavily on finely tuned dialogue and unanticipated revelations, but Bindley’s writing, specifically in the court sequences, is borderline banal and the disclosures aren’t particularly suspenseful. Realizing she’s been set up, Gwen begins a desperate race against time to prove her innocence. Soon, what seemed “circumstantial” evidence turns out to be a well-planned murder, with Gwen as the prime suspect. When Gwen’s roguish colleague, Charles Matron (Dabney Coleman), “a chronic flirt,” is found dead in his office, she’s asked to preside over the case.
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